New Year’s Eve-A Time of Endings and Beginnings

It’s hard for me to believe that 2013 is almost behind us. It’s been an eventful year for us here at Teatime to be sure. Blog sister Erica released her self-published debut A Dangerous Invitation (Woot!),  we welcomed Kim and Jessica to Teatime and bid a fond farewell to Cora and Katherine. Amy, Erica, and I were able to meet in person at the RWA conference in Atlanta last July, and all of us have made strides in our road to publication.  As we say goodbye to 2013 and get ready to greet  New Year, there is a lot for us to be proud of, and a lot for us to look forward to.

But New Year’s Eve is also a time to say goodbye to the old. It is my sad duty to report that Teatime Romance is disbanding and today is our last posting. Believe me when I tell you that we did not come to this decision lightly. We have all become so busy with our work, real lives, and our writing, and realized we could not devote the time and attention to Teatime that it deserved. Therefore, we wanted to quit while we were ahead, and leave on a high note instead of sadly petering away.

Fear not, dear readers. While Teatime is ending, this won’t be the last you see of us. You can still connect with all of us on Facebook, Twitter, and other various social media venues. It is our hope that the friendships and ties we’ve developed during our time here will continue on. Here are all of our Twitter handles:

Amy Pfaff: @amypfaffauthor
Erica Monroe: @ericajmonroe
Jennelle Holland: @authorjennelle
Jessica Grey @_jessicagrey
Kim Truesdale @playsthetart
Lisa Lin: @Laforesta1

We are also planning on keeping the blog up so you can peruse the archives whenever you want, and guest authors can still link to the blog posts if you wish.

On behalf of Erica, Jennelle, Amy, Jess, and Kim, we appreciate every one of you that has supported us during our time here. We are grateful to all of the authors who graciously agreed to guest blog and visit with us. And a huge heartfelt thank you to all  lovely people in the romance community who came by and commented, retweeted us, and help spread the word about our blog.

From all of us at Teatime, we wish you a Happy New Year and a wonderful 2014!

Precious Prose: A New Year’s Resolution

It’s about that time that we all start loudly announcing new goals for the year, letting as many people know what we intend so that we feel guilty if we don’t follow through (at least for a little while). This year I’m not promising to eat less chocolate (who would do something so silly?!) or work out more or spend more time with my family (though both of these would be nice). I have enough of those things, thanks. Instead, this is the year I will write more! I’m saying this loudly so the people in the back can hear me… In the next 365 days I am going to try and write as much as I possibly can. I’m also going to try and publish as much as I can.

To say I have big plans for this year is underestimating it by a thousand. I have huge plans; ginormous, great big dinosaur-sized plans.


And maybe I’ll discover that I only have tiny T-Rex arms to accomplish these monster-sized plans, but I will try anyway.

I am lucky this year because I have the luxury of taking some time off of “work” and devoting myself to writing. I put “work” in quotation marks because I think writing is just as much work as any other job. Yes, it looks different from the outside. I won’t be going to an office. I won’t be sitting down to grade papers or plan lessons. I won’t be meeting with students or other professors. But I will still be working. Just like with teaching, there will be times I procrastinate, times I phone it in, times I’m unsatisfied with my product or wish I had more time to spend on one thing or the other.

But the point of taking time off from my “day job” is to WRITE. And, like I said, I have big plans. I want to train myself to produce prose that is good as well as fast. I want to write drafts in a matter of days or weeks rather than months or years. I want to write a helluva lot of words this year and publish as many of them as I can.


And this is all in an effort to make my prose less precious to me.

Let me ‘splain.

As writers, we get attached to our words. We often get caught up in word count (see my previous post) and in getting things just right. We can linger over one word for a long time, wondering if it truly expresses all that we mean to say, and terrified that there’s another word out there that might do the job better than the one we have. We can linger the same way over sentences, paragraphs, chapters, worrying them until they are unrecognizable.

But lately I have been thinking a lot about improv, and procrastination, and the idea of splashing words on a page and handing them in. (Can you tell I’ve just finished a semester where I graded many many papers written at the last minute?) I’ve been thinking of deadlines and just getting things done, no matter how good or bad I think they are. I have a notebook full of ideas to think and write about. All genres, all styles, all lengths, all formats. Nothing is off limits this year. This time around, it’s all about volume.


It’s not going to be easy. And I’m sure you’ll hear more from me as I push myself to achieve these big goals. But for the moment I’m excited and ready to take on a new year and a lot of new words.

What are your New Year’s goals, writing or otherwise? What do you hope to accomplish in the next twelve months?

Erica’s Dark and Dangerous Rogues

Amy here.  This is my last post with Teatime Romance. I thought I would write about what an amazing experience it’s been or all the great friends I’ve made, but that’s sappy. Instead I’m going out the same way I came in with a kick-ass great debut author: Erica Monroe.

I’ll still be around on my own blog and haunting Facebook and Twitter. Now, check out Erica and her amazing book. I’m not saying that because she’s my friend an critique partner, either. It’s truly a great read. Enjoy and stay in touch.

erica-monroeWhen we first launched Teatime Romance in September 2012, I had just started drafting what would become A Dangerous Invitation, the first book in my Rookery Rogues series. A little over a year later, I’m proud to be the final entry into Amy’s debut author series.

How did you start writing?

For as long as I can remember, I’ve told stories. I was blessed with teachers who not only realized that I had talent, but who nurtured me and helped me grow as a writer. In college, I started out as an English major but quickly switched to focusing on writing. (And ended up with an English minor anyhow, due to my love of Brit lit and Shakespeare!) I wasn’t sure what I really wanted to do with my major, so I ended up in the secretarial field. About three years ago, I started to really read Regency romances when a friend introduced me to them. I was hooked. Previously, I’d dabbled in contemporary short stories and sci-fi, but the historical genre fit both my voice (all those years of reading Dickens, Eliot, Austen, etc.) and my love to research.

When did you realize you wanted to be a romance author?


RWA Together

RWA Together

I started seriously pursuing romance almost two years ago, when I moved to North Carolina. In January of 2012, I joined the Romance Writers of America and that really changed everything for me. I had joined Twitter the prior year, and through Twitter I’d started to talk to other authors with an interest in history. I queried them for advice, and they suggested I join RWA. Being part of RWA has given me access to such amazing resources and people.

Through Twitter, I met some members of the Heart of Carolina chapter, the Raleigh-Durham chapter of RWA. My husband and I were both trapped in jobs where we couldn’t move higher on the ladder. Raleigh promised growth for both of us. Because of HCRW, I suddenly had a bunch of people wanting to help me. I learned how to edit, when previously I’d just been free drafting. I learned to stick with a project.

But I think everything really started to click when I found about the rookeries in London. Those poorer areas seized hold of my imagination and wouldn’t let go. I read romances that had a darker voice—Meredith Duran, Cecilia Grant, Maire Claremont—and I realized hey! I could do that! I didn’t have to be completely traditional in my approach. I could show the emotional angst of a relationship.

That sold me.

Why did you decide to self-publish the Rookery Rogues?

As regular Teatime readers know, I am a control freak. I have a little trouble—okay, a lot of trouble, shut up MrMonroe—with the idea of other people handling things for me. It also makes me crazy to wait on things. Because of that, self-publishing appealed to me. I wanted to be the one in the driver’s seat, making the decisions about my craft. I also don’t like the idea of anyone telling me I can’t do something, so having to bend someone else’s will really annoyed me. I wanted to write the stories that I’M passionate about without having to consider if my agent or publisher would like it.

With Vanessa Riley at the Beau Monde Conference

With Vanessa Riley at the Beau Monde Conference

In that vein, when I started to plan out the Rookery Rogues, I realized this was going to be a series that would be a drastically hard sell to publishers. Not that it wasn’t good enough, or that it wouldn’t have a market—but the combination of suspense, darker elements, grit, and the lower class setting make it anything but your usual fare for historical romances. I could wait a long time, trying to convince people to take a chance on what is the very definition of a niche romance, or I could seize the opportunity and publish it myself.

So far, so good! I had a lot of help. I got a great photo from Jenn LeBlanc at Studio Smexy, and Rachel Rivera at Parajunkee Designs worked with me on my cover. Isobel Carr did my print layout, George from Dead River Books was amazing at formatting, Deb Marlowe advised me. Emma Locke and Darcy Burke have fielded all my self-pub questions and been invaluable to me.

What’s next for you?

I’m working on putting a short prequel to A Dangerous Invitation, which is called A Wayward Man. I want it to be available for free to readers as an introduction to the series. Then, I’m working on a novella called Secrets in Scarlet, which is Poppy O’Reilly and Thaddeus Knight’s story.
What kind of tea do you like?

Normally, I’m far more of a coffee drinker. But in the wintertime, there’s just something about hot tea. I’m drinking a lot of black teas lately. I have a soft spot for Bigelow because that’s what I grew up drinking. Raspberry Royale, Constant Comment, Lemon Lift, English Breakfast…all favorites.

About Erica..

Erica Monroe writes dark, suspenseful historical romance. Her debut novel, A Dangerous Invitation, Book 1 of the Rookery Rogues series, released in December 2013. She is a member of the Romance Writers of America, Heart of Carolina, and the Beau Monde Regency Romance chapter. Erica can also be found blogging every other Saturday at Teatime Romance. When not writing, she is a chronic TV watcher, sci-fi junkie, lover of pit bulls, and shoe fashionista. She lives in the suburbs of North Carolina with her husband, two dogs, and a cat.  Connect with her on her website.

You can purchase the e-book for A Dangerous Invitation at Amazon, Barnes & Noble, iBooksAll Romance E-Books,
or Smashwords.  Paperback is available through CreateSpace and Amazon.

A Dangerous Invitation

One fatal mistake cost Daniel O’Reilly the woman he loved, spiraling him toward drunken self-destruction. Now sober, he’ll have to prove he’s innocent of the murder he was accused of three years ago. But pistol-wielding Kate Morgan hasn’t forgiven his Rookery_eBOOK_Smsins.

Torn from her privileged existence by her father’s death, Kate Morgan has carved out a new independent life in the Ratcliffe rookery as a fence for stolen goods. Daniel’s invitation to assist him jeopardizes her structured existence. Yet Kate can’t resist his touch, or the wicked desires he stirs within her.

As their renewed passions grow reckless, their investigation takes them through the darkest and most depraved areas of the City. To catch a killer, they’ll have to put secrets behind them and trust only their hearts.


“What part of ‘I shall make you bleed’ did you not understand?” Kate kept her hands hidden behind the solid wood of the banister, preferring him to think she might be armed.

He rounded the last step, coming to a stop in front of her.

Kate retreated against the bannister, which came up to her hips. “Why are you here, Daniel? I already told you I wouldn’t help you.”

“I need to know.” Daniel took another step forward, effectively boxing her up against the bannister.

She leaned back further, unbalanced. What did he need to know? Who had killed Dalton? If she believed him? Or worse, if she still loved him?

Cold air swept in through a broken window on the first floor, ruffled the knotted ribbon of her straw hat underneath her chin. Her fingers clenched around the worn wood of the railing, gripped so tightly her knuckles became white.

She might never feel sure of her footing again.

“You let it pass for three years,” she charged. His urgency made no sense.

“I shouldn’t have. I won’t this time. Dalton deserves justice, and so do I. I’m going to investigate Dalton’s murder whether or not you help me.” Daniel brought his hand to rest on her arm, heat penetrating through her greatcoat. “But truly, I came back for you.”

He leaned his head down, so that their eyes met. His gaze pulled at her. Her body longed for his touch, craved it, as if he was the answer to every question she’d had in the past three years. He could not love a woman so wrecked.

She retreated back again. Bent against the bannister, it sagged against her weight and a threatening groan echoed from the wood. She didn’t move, knowing that if she did she’d be back in his arms within seconds.

He took one look at the bannister, then at her, and tugged her closer to him. His hold was strong, but not unrelenting. She was flush against him, so close she could feel the beating of his heart. Warmth replaced brisk wind, and his presence blotted out loneliness until she was part of something greater, something powerful beyond herself.

She feared that heady sensation. Passion didn’t stick to predetermined routes and checklists.

When he spoke, his breath tickled her skin. His voice rumbled in her ear. “I don’t want to lose you again.”

A tremble tore through her. In those few months after he left, she’d woken with those words on her lips, whispers from dreams wherein he’d fulfilled his promise to return for her. He was here, and she forgot the reasons why she should loathe him.

Everything but the smell of bergamot and cloves disappeared. An altogether familiar aroma, one intrinsically locked in her mind as his, yet different this time without the overlay of pine needles. It enveloped her, clouded her senses. She lifted her head from his chest.

She looked him in the eye. But that was a mistake, for his eyes shone with the same desire she kept trapped.

“If I didn’t know better, I might believe you.” She forced herself to step away from him. “I can’t be with you again.”

“Kiss me.”

Why My Writing is Like My Holiday Baking

Old Fashioned Spiced Apple Chews

Old Fashioned Spiced Apple Chews, 2013

By the time you read this I will be elbow deep in flour, running pell-mell from table to counter to stove, and bemoaning the fact that my slippers are making that schwick schwick schwick noise of plastic soles sticking to the floor of my kitchen because I haven’t had time to scrub the tiles.

Sadly, this is not an uncommon holiday occurrence.

I always start the holiday baking season with the best of intentions but invariably I end up getting caught up in the stress of the day job. The baking gets set aside for laundry, for dishes, for sleeping. Needful things happen, yes, but the baking gets put off always until the very last minute and then I end up rushing right through it.

What’s really horrible about all this is that when it comes to cooking full meals for family and friends or multi-course medieval feasts, something I think I personally excel at, nothing even remotely resembling this kind of rushing around happens. I’m usually prepared months in advance and I have multiple backup plans in case anything goes awry.

I should probably point out that I cook all the time. ALL the time. I’m always coming up with something new and tasty. Dishes gets created purely for the joy of it, sometimes simply because something falls out of the fridge when I’d intended to go and make something completely different. (Remind me to tell you the story of how I once went into the kitchen to make chocolate chip cookies and came out with a crown roast.) Sure I make cooking mistakes and stuff gets relegated to the compost heap on occasion. Some of the things I cook though? So yummy. Friends and coworkers comment constantly that it’s a wonder MrMr doesn’t weigh a ton for all the cooking that I do that he happily eats (he’s actually quite svelte, by the way).

Now let’s swing this around to my writing. (I know you were wondering. Don’t deny it.)

I go through these stages where I write fiction like mad (as evidenced by last year’s NaNoWriMo participation in particular) and then things begin to taper off until the next big rush. I don’t think it’s any big secret that I wait until the last minute most of the time to find a topic to blog about. While I know that’s not an uncommon way of going about blogging or writing fiction, I’m just completely struck by how it’s so very much unlike my writing process for my day job. I’ve mentioned before that I write for a living in my day job. And much like my cooking abilities, I think I’m actually dab hand at it. The simple fact that my bosses seem to like my work well enough to send me gifts addressed to “Jennelle Is Awesome Holland” should be evidence at least that I don’t completely suck at my chosen profession, right?

Yet when it comes to writing the fiction, I hesitate. I delay. I find excuses. And then there’s this mad rush near whatever self-imposed deadline I’ve set where I actually sweat out the words and get something written that, for the most part, works well and doesn’t suck.

So why is it that this fiction writing, like the holiday baking extravaganza that happens, something that causes such panic and angst?

Ego. Ego, plain and simple.

The problem here, both for the baking and the fiction writing is that I need to figure out these transferable skills I should have. For my baking, it’s clearly my ability to plan ahead. I just need to do it for baking too. Realistically I don’t suck at baking. I have failures just the same as my cooking. MrMr loves the treats I make him and not just in that “awh honey you shouldn’t have” sort of way. I can work with that and make it happen. I know I can.


I think the same thing is true for my writing. I have the ability to affect people in profound ways with my writing. I’ve felt it. I’ve seen it happen. I know I can do this. I have the mad organizational skills to take a software documentation project from idea to birth. I have the skills to know when to abandon plan A and move on to plan B or C or whatever letter comes next at the stage I’m working on.

It just needs doing and that’s going to take time, so this is going to be my Yule gift to myself: time. Time to write.

Merry Christmas and Happy Holidays, all. May you all gift yourself with time.

Chatting about Romantic Suspense

One of the questions I get asked the most when talking about the Rookery Rogues with readers is how I’m able to work in stories of suspense alongside the romance. I dabble in reading contemporary romantic suspense, but in truth my love for the grittier elements came from my intense love for Agatha Christie. Growing up, I read every one of Christie’s Poirot mysteries, often times more than once. Of course, my favorite is Murder on the Links, in which Captain Hastings falls in love. I love the way Christie was able to paint a picture of every secondary character, so insightfully that you knew who they were in just a few sentences.

Of course, as a romance writer, I’m more concerned nowadays with the relationships between characters than I am with the “whodunit.” I’m not a particularly clever person at solving mysteries, and I’ll admit I’m often along for the ride instead of actively detective solving. I never pursued a career in criminology because of this, despite my extreme affinity for crime shows. When I work on the suspense elements for The Rookery Rogues, what I want to create is a perilous situation—or a series of situations—that either furthers the bond between hero and heroine, or does something to estrange it. In A Dangerous Invitation, I use a combination of this. There’s a scene where Kate and Daniel are running from the villain and they’re trapped in a wool warehouse. A closeness grows between them, for they’re forced to depend on each other. This startles Kate, who isn’t willing to deal with her reemerging feelings for Daniel. So in a sense, not only has the chase brought in an element of action, but it has increased the conflict.

One of the books I read when drafting A Dangerous Invitation is Conflict and Suspense, which I’ve talked about before. I loved this book because not only does it give you exercises to work on, but it also examines different techniques. For me, I like to approach a book with both proverbial guns blaring. I don’t pull puns in the first draft—I’m going to throw everything I can at the book and see what sticks. Sometimes this means awesome scenes get cut, and sometimes it means I move things around so that I can include this new fight or mystery.

But what I really have to remember when I outline a book is that yes, this guns blasting approach is great, but you need to give your readers time to rest. There needs to be a break between the tense moments. I love emotional angst (no one is surprised) and that’s obviously one of my favorite things to write. Last Saturday at my chapter’s holiday party, I was talking to fellow author Kianna Alexander, and she mentioned that often the sex scenes in a book are the “rest period” for the reader. This is especially true in romantic suspense, when the stakes really are often life or death. The reader needs that time to breathe and recharge for the next crazy explosion.

Rookery_eBOOK_SmWhat I recommend to other romantic suspense authors is finding a critique partner who is as equally interested in all your action-centric elements as you are. I found that when I met Jennelle Holland through Teatime. As many of you know, Jennelle also writes romantic suspense and she’s a martial artist. I’m so fortunate to have Jennelle because not only does she correct the fight scenes I write but then she tests them out with her husband to make sure they’re feasible. Because I have no actual fighting training, this is so helpful to me. I run into a lot of problems visualizing just how a fight should go. I see the movements in my head, but I don’t always know the best punches or kicks to insert to get the right effect.

But mostly, I just love to write things that go boom.


A Dangerous Invitation is out in the wild! Get your e-copy today at the following vendors: Amazon | Barnes and Noble | Kobo | Smashwords |

Gamers, Auctions, and Geek Culture with Guest Brenna Aubrey!

I am thrilled to have have Brenna Aubrey to Teatime! I first met Brenna back in July at RWA where we bonded on the dance floor at Samhain’s post RITA/GH party. Just so y’all know, Brenna has SERIOUS dance moves! 🙂  She’s here to celebrate and talk about her new Contemporary Romance/New Adult book, At Any Price.  I was lucky enough to get an ARC of the book and I loved it! It was so smart, funny, emotional, and  took me on a roller coaster ride. It made me laugh out loud, shake my fist, cry. ALL. THE. FEELS. Without further ado, take it away Brenna!

1. Can you tell us about At Any Price?  At Any Price is a New Adult contemporary romance novel.  The set up is that a young woman, a geeky game-blogger, in desperate need of money to pay for medical school and her mother’s bills, decides to hold an online auction for her virginity.  The winner is software prodigy CEO Adam Drake and the book follows their adventure as they navigate the circumstances of the auction. It’s a melding of geek culture and romance, sort of “The Big Bang Theory” meets “Pretty Woman.”

Lisa: I LOVE The Big Bang Theory and am totally addicted to that show!And the premise of the book immediately drew me in. At Any Price totally has a fantastic hook and high concept!

2. What was your inspiration for the book and do you plan to turn it into a series and write other books in this universe? The inspiration was my own history as a geek/nerd and a gamer.  I love writing about the things that make geeks excited–video games, comic books, Star Wars, etc.  I also like mixing that dynamic with a steamy, tension-filled romance.  There are more books planned in this world.  The next two will center around the same couple, Adam and Mia, as in AT ANY PRICE. After that, I have books planned for several of the secondary characters in AT ANY PRICE that will not necessarily be trilogies like Gaming the System.

Lisa: One of the things I loved most about At Any Price is how Mia and Adam bonded over their love of all things games and geek culture. It was a lot of  fun. And I’m so thrilled that you will be writing more books in this universe!

3. What drew you towards writing Contemporary romance and NA as opposed to historicals, paranormal, or other romance sub-genres? And would you ever want to try another sub-genre? I actually have a Regency historical romance that is collecting dust on my hard drive right now. I loved writing in that time period and that book is very near and dear to my heart.  However I think contemporary romance is more suited to my voice and my ideas at this point. This doesn’t mean that I will never go back and revisit my concept for those historicals. They were very fun to write.

Lisa: I hear you. I love historical romances, and they’re the bulk of the romances I read, actually. But contemporary is definitely my voice and style. I couldn’t write historicals properly, and so admire the authors who do it so well.

4. What can you tell us about the hero and heroine Mia and Adam? Did you have any celebrities in mind when you created the characters, or any point of visual reference? I do sometimes “cast” my characters with famous actors or models to help me visualize them while I’m writing. However I usually keep that secret mostly because I want readers to imagine their own “cast” as they are reading the story, not mine.  That’s the beauty of reading over getting your stories from visual media (movies/TV), so much is open to individual interpretation and experience.  It’s what makes reading so much more of a fulfilling and emotional experience.  So because what each reader sees when they read a story is different, I think it’s best to let them have their fantasies of what Mia and Adam look like.  I do keep a pinterest board and whenever a reader creates a graphic for the book, I ask for permission to post it.  There are a few up already if you want to take a look.  (link is here: )

Lisa: I like the idea of letting the reader create images of what they think Adam and Mia look like! Personally, I sorta pictured Adam as a scruffy Adrien Grenier with the piercing eyes.

5. What’s next for you? Up next are the remaining 2 books in the trilogy. I’m working on book 2 right now, AT ANY TURN and it’s scheduled to come out at the end of March. It will be told entirely in Adam’s point of view and is a continuation of their story rather than a retelling.

Lisa: OOHHH a book from Adam’s POV sounds fantastic! I can’t wait for March and am off to mark my calendar NOW. 🙂 

6.To your mind, what are the essential ingredients your heroes and heroines must have to have you fall in love with them, and root for them, and have your readers fall in love with them too? In order for readers to root for a hero and heroine, they must be sympathetic. We must be able to tap into their thought processes and emotions and be able to feel for them, even when they are flawed or misguided.  The deeper and richer the characterization, the more the reader is drawn into their story and must continue to read until that story ends.  When it appears as if their getting together is absolutely necessary and yet appears absolutely impossible, we have to keep rooting for them to overcome those barriers to get together.  So they must have flaws, they must have a compelling voice and they must be layered and three-dimensional in order for a reader to fall in love and want to travel on their journey with them.

Lisa: Well said! I couldn’t agree more. It’s so important to have hero and heroines we related to and root for. You did such a fantastic job in At Any Price of delving into Mia’s psyche and letting us feel everything she’s thinking and feeling during the course of the story. I was definitely in her corner, rooting for her to get the happy ending she deserved.

7. Mia is a proud self-proclaimed geek/gamer/computer person. What is it about geek/gaming culture that appealed to you, and what inspired you to write a book set in that “world”? Well I’m a part of that world. I have been a gamer for most of my life, either table-top games or video games so I really enjoyed being able to bring bits of my interests and my life into the story.  And “geek is chic” right now.  One of the most popular shows on television is “The Big Bang Theory.” Web series like “The Guild” are breakout hits.  There is a geek culture out there–Whovians and Potterheads and Trekkies–oh my!  So the geek culture appeals to people along that vein.  Geeks are people who are passionate about what they love.  What better type of people to write into a nice, tension-filled steamy romance?

Lisa: Even though I’m not a gamer, I did enjoy the gaming aspects of the book and getting a glimpse of that world. You did a great job of showing us what being a geek and gamer is all about. And your answer here really reminded me of this video that made its way around the internets awhile back. 

8. Mia does a pretty surprising thing-auctioning off her virginity online. How did you come up with the idea for her to do that?  Actually my critique partner, Kate McKinley was brainstorming with me one day and told me she wanted to write a virginity auction into her historical romance novel.  One day I was thinking about her idea and it just hit me that it would make a wonderful hook for a contemporary romance. I talked about it with her and she gave me her blessing to run with it.  She’ll be doing her version of an auction story sometime soon, I hope, and I can’t wait to read it!

Lisa: Aren’t critique partners great?! I really liked how you delved into the nuances of Mia’s choice to auction off her virginity. It’s truly a complicated issue with lots of implications. Is this an empowering choice where Mia claims her sexuality and virginity as her own, or is she playing into the existing social paradigms and not changing anything at all? LOVED IT! 

9. Did you have to do any sort of research for this novel? Yes I did a lot of research, actually. I am a feminist who has gamed but I really wanted to feel confident in that angle. Mia, after all, blogs about how women are portrayed and treated in video games. I did research with gaming history, game design and female roles in all kinds of video games.  I also did some location and setting research by taking pictures and doing walking tours of some of the places described in the book.

Lisa: I loved the excerpts from Mia’s blog content when she calls out the sexist aspects of the games, etc. I think your depiction did justice to all the research you did! 

10. Can you tell us about the Jane Austen Made Me Do It anthology and your contribution? How long have you been a JA fan? And HOW could you possibly pick Wentworth over Darcy???!!! 😉  In 2011, I participated in a contest for unpublished writers put on by Laurel Ann Nattress of the blog. She was putting together an anthology of well-known best-selling authors to write Austenesque stories in honor of the bicentennial of the publication of Jane Austen’s first book, Sense and Sensibility.  One slot in the anthology was reserved for the winner of the contest. About ninety people participated and my story, “The Love Letter,” was selected by the editors as the Grand Prize winner.  So the Jane Austen Made Me Do it anthology was my very first publication credit.  As for the Darcy/Wentworth question well… I had this argument (I mean discussion) with Tessa Dare not long after the book came out. She’s a Darcy girl and while I wouldn’t kick him out of my boudoir for leaving cracker crumbs in bed, my heart belongs to the long-suffering, amazing-love-letter-writing Wentworth.

11. Who are your writing inspirations/idols? Oh I have many.  One of them is my writing buddy, Tessa Dare, who has an awesome voice and brilliant sense of humor. Others are authors who have amazing work ethics and write wonderful romance stories quickly in many genres like Sylvia Day, H.M. Ward, Maya Banks.  Courtney Milan’s books are just so smart, I feel like I gain IQ points just by reading them.  Then of course there is my ultimate idol, Jane Austen who… well do I really have to explain that one?  🙂

Lisa: I second the love and adoration of Tessa and her books! She’s so amazingly talented and I devour her books. And yes, Courtney is crazy scary smart in the best way-I can’t wait to read The Countess Conspiracy tonight!  I haven’t ready H.M. Ward, Maya Banks, or Sylvia Day yet, but it sounds like I should!

12. What books do you recommend to romance newbies to introduce them to how awesome the genre is? My starter book (even though there is some debate on whether or not it actually is New Adult–I vote that it is), is Samantha Young’s On Dublin Street, which I absolutely loved and could not put down.  For lighter, more comedic New Adult, Cora Carmack’s Losing It and Faking it.  For hot and steamy and heroes that make you swoon, H.M. Ward’s The Arrangement serials and her duology Damaged.  Monica Murphy’s One Week Girlfriend and Second Chance Boyfriend.  Those are just the start but there are many more awesome books where that came from.

Lisa: I got to read Losing It and Keeping Her as part of the Avon Addicts program and really enjoyed it. Garrick and Bliss were great.

Thank you so much for the opportunity to come sip tea at Teatime! Like my heroine, Mia, I love tea a lot. I take it with sugar, no cream. Yum!
Pass the scones, please!
Thank you so much for visiting with us today, Brenna! 🙂 So tell us, dear readers: Are you a New Adult fan? A Gamer? A self-proclaimed geek? If circumstances were bad enough-would you do something drastic like Mia did to get the necessary money? Let’s talk down below! 🙂 

You can buy At Any Price here at Amazon and B&N

Connect with Brenna at her Website Facebook  Pinterest and Twitter!

It’s the Most Wonderful Time of the Year!

Photo 515

Last year’s Christmas tree! I spent many nights reading by the light of it.

Okay, I’m just gonna come out and admit that I am an absolute nerd about the holidays. I LOVE THIS TIME OF YEAR!

I have loved Christmas time since I was little. My family celebrates Christmas,  and I love everything to do with it. Perhaps it’s the result of being a Christmas Eve baby. Or maybe it’s the holiday carols. Or maybe it’s the rituals and traditions my family observed, like going to the candlelight service or lighting the advent wreath. Whatever it was, Christmas always felt like a special time.

As I’ve gotten older, Christmas holds a different type of wonder for me. Oh, I still like that it means I’m another year older. (I’m a weirdo who loves the fact that she’s an adult and getting older.) I still like that it means holiday concerts and singing Christmas carols. I still like the rituals and traditions. But now I look forward to other things.

Like real egg-nog with booze. That’s definitely an awesome thing about being an adult.

Or playing Christmas carols in my own car and singing at the top of my lungs. That’s pretty cool, too.

You probably don't want to know just how many Christmas stories I have on this thing...

You probably don’t want to know just how many Christmas stories I have on this thing…

And the Christmas stories! I like nothing better than sitting in front of the television watching cheesy Hallmark holiday movies as I wrap gifts or make Christmas lists. I love curling up on the couch, knowing I have no responsibilities for a few hours, and reading any of the number of Christmas books I have on my Kindle. There is something about the possibility and magic of the season that gives me deep shivers of joy in my heart. I love Christmas stories of all kinds. There’s Charles Dickens’ A Christmas Carol, of course. And the beloved “‘Twas the Night Before Christmas” poem. And I will eat up just about any Christmas-time romance novel you put in front of me. From last year’s list, I loved Lorraine Heath’s novella, Deck the Halls With Love, and the Jane Austen-themed Christmas With Miss Austen by Laura Briggs. And more recently I’ve read and loved Debbie Macomber’s contemporary Starry Night and Mary Balogh’s historical A Christmas Bride.

Other people might complain about Christmas creeping up earlier and earlier into the year. And I get it. I do. It’s disconcerting to see Christmas stuff in the stores even before Halloween and it speaks to a voracious consumer culture that’s probably not doing humanity that much good.

But I have to admit that that’s not what I see when I see Christmas stuff around me. I see the magic and joy and possibility that I’ve always loved about the season. It just seems ripe for some of life’s lovely romance!

So, what about you? What Christmas-time books can you recommend? And what is your favorite part of the holiday season?

Susanna Ives’ Wicked Little Secrets

SusannaIvesToday I welcome the lovely Susanna Ives to Teatime Romance.

Thank you for the invitation to the lovely Teatime blog and the delicious cyber scone.  I’m the author of rather naughty historicals, but I’ll try to behave myself in this proper, elegant setting.

Tell us about yourself and your release.

I feel like I’m standing in front of the classroom at show and tell, holding out my shiny brand new book Wicked Little Secrets.  Here’s its sexy blurb:

Vivacious Vivienne Taylor has finally won her family’s approval by getting engaged to the wealthy and upright John Vandergrift. But when threatened by a vicious blackmail scheme, it is to her childhood friend that Vivienne turns; the deliciously wicked Viscount Dashiell.

Lord Dashiell promised himself long ago that his friendship with Vivienne would be the one relationship with a woman that he wouldn’t ruin. He agrees to help her just to keep the little hothead safe, but soon finds that Vivienne has grown up to be very, very dangerous to all of Dash’s best intentions.

I’m Susanna Ives.  I drive my beloved children around to school or classes, help develop web pages, minimally take care of my home, and talk to my friends on Facebook (or, gasp, sometimes in person!). I’m not such a good cook, so I won’t be sharing any recipes. On the surface, I appear quite normal, if not dull, but in my fantasy, fictional writing world, I’m insanely interesting and six inches taller.

You’ve had an interesting journey to publication. Please tell us about it.

It feels like I’ve been writing a long time even though I have only two published books.  I might be approaching the famed 10,000 hours in another few months if I haven’t already. I started writing when I became a stay-at-home mother. I loved being with my children, but changing diapers, playing on the activity mat,  and keeping them from sticking their tiny fingers in electrical sockets didn’t satisfy my creative drive. So I started scribbling in notebooks while my children banged on pots. Then I joined The Beau Monde, the Regency special interest chapter of the RWA, and a fabulous group of writers. If you’re writing in or around the Regency era and you haven’t already joined this amazing group, stop reading and hurry over to the Beau Monde web page and fill out the membership form!

So, I was working on what I thought was going to be a masterpiece of romantic literature (laughs). So confident was I in my work, that I entered the first chapters in the Beau Monde’s Royal Ascot romance writing contest.  I think I received the lowest scores in the contest that year.

Nonetheless, I lurked about the chapter email loops, still scribbling on my poor misunderstood romantic masterpiece.  The next year when the Royal Ascot came around, I swore I wouldn’t enter. My feelings were too hurt.  But, and I probably shouldn’t admit this, I had to prove something to myself: I was better than the previous year’s dismal performance.

So bad Susanna wrote fifteen pages of a story about a lady who wanted to turn her clueless, farmer neighbor into a rake. I titled my entry Rakes and Radishes.  And it was a finalist! With just fifteen completed pages, I was sure that I was going to get the call. (laughs again, this time with bitter edge)

Let us put aside the rejections, a new story that fell apart, and the completed Rakes and Radishes manuscript that I hid away in a drawer, and summarize the next year and a half as “a learning experience.”

I wanted a fresh start with a different era. So I decided to write a naughty, comedic Victorian, cramming it full of Victorian clichés. And Wicked Little Secrets was begun. At that time, I was in several writing groups, getting some pretty heavy critiques, and really focusing on my craft.  About halfway into the writing process, another wonderful writer friend said she would recommend Rakes and Radishes to a new all eBook press.  After sitting quietly in some obscure folder on my hard drive, I took the old MS out, polished up its query letter and synopsis. However, the night I sent out that query, I also emailed one to another new publisher: Carina Press. I had very little hope.

Then the amazing Carina Press called and offered to publish Rakes and Radishes!

I’m going to leave out some steps here, except to say that after the Carina Press publication I spent a great deal of time revising Wicked Little Secrets. Then something amazing, Cinderella-like happened: I got a wonderful agent. Wicked Little Secrets was sold to the fabulous Sourcebooks Casablanca. Last week it was released, and I’m thrilled.

Is this book part of a series? What’s next?

It’s part of a three book series set in the Victorian Era. I’m superstitious about revealing what I’m working on, so I’ll remain silent for now.

Ah, come on! Oh well.  Everyone has their absolute favorite books that they’d save from a fire. What are your five favorites?

Stephen Mitchell’s translation of the Tao Te Ching.
My childhood copy of A Little Princess
A particular research book titled White-Collared Crime in Modern England.
My children’s signed copy of The Oddhopper Opera
One of the few printed versions of my first book Rakes and Radishes

This being a tearoom, how do you like your tea?

Yorkshire Gold with almond milk, vanilla, and sugar.

My favorite!  Wicked Little Secrets is available at Amazon and Barnes and Noble.

WICKED LITTLE SECRETSWicked-Little-Secrets72

It’s Not Easy Being Good…

Vivacious Vivienne Taylor has finally won her family’s approval by getting engaged to the wealthy and upright John Vandergrift. But when threatened by a vicious blackmail scheme, it is to her childhood friend that Vivienne turns; the deliciously wicked Viscount Dashiell.

When Being Wicked is so Much More Exciting…

Lord Dashiell promised himself long ago that his friendship with Vivienne would be the one relationship with a woman that he wouldn’t ruin. He agrees to help her just to keep the little hothead safe, but soon finds that Vivienne has grown up to be very, very dangerous to all of Dash’s best intentions.

About Susanna

Susanna Ives grew up in the rural South, where she spent most of her youth at the local theater, acting in productions, working in the lighting booth, and building sets. Eventually she left her small town for the city lights of Atlanta, where she attended college and worked in corporations as a multimedia developer. These days she chases after her two curious, energetic children, designs web pages, and writes.

You can learn more about Susanna Ives’ work at:

 Website/Blog  | Facebook | Twitter | Pinterest | Google+


Holiday Romance: An Interview with Regan Walker

Today at Teatime we’re pleased to be hosting author Regan Walker.


ReganWalker_TheTwelfthNightWager800First, thank you for coming to Teatime. It’s so much fun to host authors of Christmas books because they always come up such interesting info about the holidays that we don’t know. Your novella, The Twelfth Night Wager. You’ve written about your research into Regency holiday preparations before. How did it help you set the stage for the events in your novella?

Thanks for having me, Jennelle!

What a fun first question! Well, I knew from the start the wager on which the story is based would be made at White’s Club in London, and I worked off of pictures to describe it. And since the story begins in October and the start of the theatre season, I began researching the plays and the theatres in 1818. When I found Bachelor Miseries was the lead play that October at the San Pareil Theatre (later the Adelphi), I knew I’d found the one! And then I was off to the fall season of pheasant hunting and house parties. One cannot just leap into Christmas for a ninety-day wager! For those fall activities, I set the scenes in an actual estate one can visit today, Wimpole Hall. Only after that did I work my way into Christmas and its festivities and then on to Twelfth Night. They didn’t really decorate until Christmas Eve and then it was greenery, not Christmas trees (which became popular in the Victorian era). For each of my stories, I include an Author’s Note that gives you background and some interesting historical tidbits for those who love such things like I do.

A ginger Viscount (can you hear the happy sighs from Teatime Lady Erica?) a virtuous widow with secrets (that “Oooh!” would be from me) and a bet that could, at best, be labeled “improper” and yet you manage to fit that all within the confines of a novella. Looking at the other books in the Agents of the Crown series, all of which are full-length novels, I can’t help but ask what you thought of the novella length for The Twelfth Night Wager. Easier? Harder? Mixed blessing?

You forgot the blackmail and the murder! Well, to answer your question, the size of a novella is definitely a mixed blessing. The story is all there, of course (at 42K words, it’s not a short novella), but there were some rabbit trails and some twists and turns in the murder plot that I could have added if there were more pages. Still, for a reader who wants a holiday story that doesn’t take 2 or 3 days to read, it’s perfect. My short story, The Holly & The Thistle, which follows (with an auburn haired Scot hero!) is an even shorter read for those on the go. All you need is a glass of hot-spiced cider and you’re good.

I do so love bite-sized romances and the holidays make them that much more delightful. In addition to The Twelfth Night Wager, you have other short stories that are holiday themed. Can we count on other shorts and novellas? Do you think they might follow this same holiday pattern?

4326416 9766640Probably. My publisher likes them and the holidays seem to fit those smaller stories. I’ve one in mind that I want to write at the end of the Agents of the Crown (after the prequel, To Tame the Wind is finished). It was hinted at in The Holly & The Thistle. I’m tentatively calling it the Secret Scottish Christmas and I envision all the “agents” and then some showing up to celebrate a holiday then banned in Scotland. If I can squeeze it into a novella, I might do. It will be the story of the twin Powell brothers mentioned in the last two books of the Agents of the Crown, and William Stephen’s sister mentioned in The Holly & The Thistle—two young Englishmen fighting over one young, beautiful Scot, all at Christmas!

You have additional books in the Agents of the Crown series, I see Wind Raven is scheduled for an early 2014 release. Let me just give a mighty cheer for pirate Regency, which I seem to be devouring as of late. Wind Raven is set both on land and on sea and in a variety of locations. Did you get an opportunity to travel when researching this book? I know you’ve been blessed with international travel experience. What about the other books in the series? Any travel associated with those?

1110059There is travel in all of them. I promise adventure as well as love! In Racing with the Wind, the hero and heroine journey to Paris; in Against the Wind, it’s a revolution brewing in the Midlands of England; and in Wind Raven, it’s the Atlantic, the Caribbean, Bermuda, Puerto Rico and Baltimore! I’ve been to England and Paris several times, to the Caribbean several times, including St. Thomas where the scenes are set, and to Baltimore’s inner harbor, and I’ve been on ships—but never have I been to Bermuda. I spent a week “living” in Bermuda online. My head was full of the island’s history and it’s food and traditions. At the end of my research, I felt like I had been there. (I even posted recipes on my website from those scenes, as I often do!) It’s like that sometimes. I could feel the warm tropical wind on my face, I could smell the frangipani flowers and the salt air—well, you get the picture.

In addition to
Wind Raven, you also have other works coming out and scheduled through 2015. The Red Wolf’s Prize comes out in 2014 (yay medieval England!) and your prequel for the Agents of the Crown series, To Tame the Wind is scheduled for 2015. Good lord, the organization required to manage a schedule that far out. Can you offer us up-and-comers any tips? What does it take to manage multiple, long-term schedules like this? What does a typical week look like for you?

2973025My head is always partly in the future. And, while I’m not a plotter, scenes for To Tame the Wind have been coming to me as well as issues for research. I started a folder on my desktop and a “Research” sheet where I keep url’s for the sites I need to look at later. It’s set in late 18th century France and England and on ships of the period so there’s a lot of work involved. I have a shelf in one of my bookcases that clusters the books for each of my books I’m researching. I’ve already got some books lined up for To Tame the Wind. The medieval I’m writing now, The Red Wolf’s Prize, is a William the Conqueror romance set in 1068. I actually started it after Racing with the Wind but left it half done to finish my trilogy. It was nagging me to finish it. I was fascinated by the idea of one culture conquering another and wondered what a high-spirited young Saxon woman would do. I had no idea of the challenge of researching life in the 11th century or knights and what they wore then and the kinds of horses they rode (they did not, for example, ride destriers all over the countryside!). I have stacks of research for that one all over my desk.

A typical week for me involves walking my dog each morning, some time on the computer doing social media, particularly when I’m promoting a new release like I am now with The Twelfth Night Wager, or doing posts for my Regan’s Reviews blog. Then I try to get in a chunk of time on my research or work in progress. Right now, I’m not working so I may have more time than most. Of course, there’s the usual fixing of meals, seeing friends and shopping. And church on Sunday. In the evenings, I mostly read. I’m a voracious reader and reviewer of historical romance. (I have over 600 reviews on Amazon and am also now one of the top 1% of reviewers on Goodreads.) I love helping other readers find the keepers.

On your romance review site, you list some of your favorite authors and books in multiple categories (including a wonderful list that I saved for my Highlander obsession). One question that we ask all Teatime visitors is this: your house is on fire and your eReader is already slagged into a molten heap. Which five books across all those genres you love do you save from fiery death?

You can see these on my Top 10 list:

  1. Bride of the MacHugh by Jan Cox Speas (Highlander) – beautifully written
  2. The Passions of Emma by Penelope Williamson (Irish in America)
  3. The Windflower by Laura London (aka Sharon & Tom Curtis) (pirates!)
  4. The Dragon and the Jewel by Virginia Henley (Medieval England)
  5. Princess of Fire by Shannon Drake (aka Heather Graham) (11th century England)

Even choosing those was hard. There are so many more wonderful novels I truly love and will re-read—all 5-star keepers. I don’t just read eBooks (though I do love my Kindle), but I also dig for the greats that can only be purchased used. Such are #s1 and 3 on the list above. But so worth it!

Thanks for the reading suggestions. One final question, then if you don’t mind: how do you take your tea?

I drink my tea green with jasmine and stevia. I also like white tea.

Excellent! Jasmine is my favorite too. Thanks so much for stopping by, Regan!


About Regan

Regan's pic for BoroughsAs a child Regan Walker loved to write stories, particularly about adventure-loving girls, but by the time she got to college more serious pursuits took priority. One of her professors encouraged her to pursue the profession of law, which she did. Years of serving clients in private practice and several stints in high levels of government gave her a love of international travel and a feel for the demands of the “Crown” on its subjects. Hence her romance novels often involve a demanding Prince Regent who thinks of his subjects as his private talent pool.
Regan lives in San Diego with her golden retriever, Link, whom she says inspires her every day to relax and smell the roses.

Regan can be reached in a variety of ways:


An Excerpt from The Twelfth Night Wager

London, January 5, 1819

Twelfth Night

It never would have happened if he hadn’t been so terribly bored that night at White’s. Staring into the crackling fire in the parlour on this frosty night and reflecting back on the last several months, Christopher St. Ives, Viscount Eustace, recalled the evening well; the deep leather chair he sat in, the lit cheroot dangling from one hand and a brandy in the other. He had only been half listening as Hugh Redgrave, the very married Marquess of Ormond, droned on about the virtues of the leg-shackled state. Happily married men could be so tiresome. Looking back on it now, it seemed years not months since they’d traded quips in the conversation that led to the wager:

“I say, Ormond, just where are you going with this praise for the wedded state? You know me too well to believe I’m convinced.”

“You might at least consider taking a wife, Eustace. There’s much to be said for the change it would bring about in your otherwise tawdry existence of late. After all, thirty-five is past the age where dissipation wears well, don’t you think?”

Tawdry existence? Dissipation? “Surely you cannot mean those words, Ormond. I’m just after a bit of fun.”

“You go after women like you go after the fox. It’s all in the chase for you.”

“And that is wrong? Just because you have your heir and a spare at thirty-two does not mean I wish to accumulate the same baggage.” At the frown that appeared on Ormond’s face, Christopher, Lord Eustace, hastened to add, “No offense meant toward the beautiful Lady Ormond, whom I admire above all women, but I am not ready for such a change, as my recent indulgences confirm. Besides, I like women and have my own way of handling them, which suits me quite well. I see no reason for change.”

“As far as I can see, your way of ‘handling’ them is not to have one at all.”

“Ho, now that ain’t so, and well you know it! Though, being a gentleman, I’ll not disclose the number ‘had’ even if I could recall. My method, I assure you, works perfectly for me.”

“You have a method?” Ormond asked, incredulous.

“Well, perhaps not a method as you would count it. I seduce ’em, bed ’em and—”

“Leave them. Yes, I know. But not always smiling, I’ve heard.”

Christopher looked up at the chandelier above and back to his friend as he let out a sigh. “Perhaps not, but none complain till the end is in sight. Then, well…I admit things have on occasion become a bit sticky. But they are all willing players in the game.”

“Your way of handling women cannot work with all. You must have failed with some.”

“Quite the contrary, my good man. I’ve succeeded with every lady I’ve gone after.” Christopher held back a grin. He did not lack confidence when it came to his success with women. And a worthy adversary made every game more exciting.

“I would wager there is one you cannot seduce.”

“Ho! Wager? Do I hear a challenge being laid down?” Snuffing out his cheroot, Christopher leaned forward. “Who might this unassailable paragon be?”

Ormond glanced about the sparsely populated club room filled with tables and chairs. Christopher’s eyes followed, noting the small group of men at a round table engaged in muted conversation some distance away. None appeared to be eavesdropping.

Leaning forward, Ormond whispered, “Grace, the Lady Leisterfield.”

Christopher leaned back in his chair and took a sip of brandy. In his mind’s eye he saw a slim blonde in a rather modest gray gown standing next to the elderly Lady Claremont. “Yes, I recall her from the last ball of the Season. The young widow lives like a nun, or so I’ve heard.”

Ormond grinned. “That, old man, is the challenge.”

“She’s in mourning, is she not?”

“Just coming out. And a worthy contender to test your…method.”

“I see.” But did he? Was there more to this than a wager? It was clear Ormond had something in mind, and the marquess could be exceedingly cryptic at times. Still, whatever was behind the challenge, and whatever the stakes, Christopher was drawn by the opportunity, even more by the encouragement, to entice the lovely Lady Leisterfield to his bed.

“I’ve been very impressed with the lady,” his friend continued, “and I would love to see you fail miserably trying to scale her castle walls. I would consider it sweet justice for the fairer sex.” Ormond winked.

Christopher was tempted to decline, still miffed at Ormond’s comment about his tawdry existence. Yet the memory of the beautiful Lady Leisterfield permeated his thoughts. “Perhaps I shall accept your delightful challenge.”

Ormond grinned, then his expression turned serious. “One thing. If you do this, Eustace, you must promise to preserve the lady’s reputation no matter the outcome. That must be part of the challenge, as I would not see a good woman ruined at the end of it.”

“Well, I know of no woman who has suffered overmuch from being associated with me, but I assure you I will be discreet.”

“All right—and so we are clear,” said Ormond. “You must seduce, bed and walk away from the baroness, else I will have won.”

Christopher nodded, wondering all the while if he’d missed something. Ormond always seemed to have an agenda not fully disclosed. With him, much was hidden beneath the surface.

The marquess suggested with a pointed look, “Ninety days should be sufficient; do you agree?”

“We are indeed agreed. And let me add, it will be my pleasure.”

It wasn’t just the thought of bedding the lovely widow that put a grin on Christopher’s face; he was thrilled with the prospect of a real challenge with a virtuous woman. It was a wholly different sport than he normally engaged in, but Lady Leisterfield was a worthy quarry. A challenge indeed. One for which he felt himself uniquely qualified.

“Shall we reduce the wager to the book?” Ormond inquired with a wry smile. “Say, one thousand pounds to make it interesting?”

“Done.” Casting his reservations aside, Christopher set down his empty glass, reached for Ormond’s extended hand and gave it a hearty shake.

And so, that night, Christopher entered the following into White’s book:

Ld Eustace has wagered Ld Ormond 1000 pounds that by Twelfth Night he can seduce, bed and walk away from a certain lady understood between them.